Synopsis
'Peter James is one of the best crime writers in the business' – Karin Slaughter, author of the Will Trent series
In his deadliest case yet, Detective Superintendent Roy Grace faces a complex kidnapping in Dead If You Don't, by award winning crime writer Peter James. Now a major ITV series, Grace, starring John Simm.
Kipp Brown, successful businessman and compulsive gambler, is on his worst run of luck yet. Taking his teenage son, Mungo, to a football match should have given him a welcome respite – if only for a few hours. But it’s at the stadium where his nightmare begins.
Within minutes of arriving at the game, Mungo suddenly disappears and Kipp receives a terrifying message: someone has his child. And, to get him back alive, Kipp will have to pay.
Roy Grace is brought in to investigate what seems to be a straightforward case of kidnapping. But, very soon, Grace finds himself entering a dark, criminal underbelly of the city, where the rules are different and nothing is what it seems . . .
Although the Roy Grace novels can be read in any order, Dead If You Don't is the fourteenth title in the bestselling series. Discover more of the Brighton detective’s investigations with Dead at First Sight and Find Them Dead.
*****
23 million copies sold.
Creator of Her Majesty Queen Camilla’s favourite fictional detective.
'Peter James is one of the best British crime writers and therefore one of the best in the world' – Lee Child, author of the Jack Reacher series
'One of the world’s most popular detective series' – The Guardian
Details
Reviews
Peter James has penetrated the inner workings of police procedures, and the inner thoughts and attitudes of real detectives, as no English crime writer before him. His hero, Roy Grace, may not be the most lively cop, nor the most damaged by drink, weight or misery, but he's one of the most believableThe Times
Peter James is one of the best crime writers in the businessKarin Slaughter, author of After That Night and The Last Widow
James just gets better and better and deserves the success he has achieved with this first-class seriesIndependent on Sunday
Meticulous research gives his prose great authenticity . . . James manages to add enough surprises and drama that by the end you’re rooting for the police and really don’t know if they will finally get their menSunday Express