The Necessary Death of Lewis Winter
Synopsis
Winner of the ITV3 Crime Thriller Book Club Best Read Award; shortlisted for the Theakston's Crime Novel of the Year Award, shortlisted for the CWA John Creasey Dagger for Best Debut Crime Novel of the Year and the Saltire Scottish First Book of the Year Award, longlisted the CWA Ian Fleming Steel Dagger for Best Thriller of the Year.
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Reviews
‘Cool, laconic and very enjoyable. I look forward eagerly to the second novel in the trilogy’ Allan Massie
‘A very auspicious debut, this is an amazing novel, incredibly gripping from the first page to the last. A vivid portrait of the Glasgow underworld, it’s completely hypnotic . . . like the great writers, people like Elmore Leonard, Mackay paints really vivid portraits of his characters . . . a really unique voice’ Mark Billingham
‘A really clever multi-viewpoint novel about the Glasgow underworld . . . The Necessary Death of Lewis Winter was a real revelation, a real find for me’ Kate Mosse
‘A dark, rich, brutal thriller . . . it absolutely captivates you. The Necessary Death of Lewis Winter is more than a page turner, it’s a page ripper. For a debut novel this sparkles, this zings, it leaps off the page. If you like Ian Rankin, if you like Stuart MacBride, if you like Val McDermid, Denise Mina – Malcolm Mackay is right up there’ Peter James
‘Glasgow’s a tough city and this is a tough book . . . very authentic, very gritty, you can really feel the streets. They call this genre Tartan Noir and absolutely The Necessary Death of Lewis Winter is a first class member of that’ Lee Child
‘I finished it almost in a sitting. The prose is spare and taut and pulls the reader into the minds of the disparate characters . . . beautifully and truthfully written with the deceptive simplicity of a fine short story’ Ann Cleeves, creator of VERA
‘A remarkably original debut . . . this is a book that it would be hard not to finish in one sitting . . . a wholly believable and unnerving portrait of organised crime’ Observer
‘The debut writer who is being hailed as tartan noir’s most authoritative and authentic new voice . . . Mackay writes in a tough-guy style that is reminiscent of Raymond Chandler and Dashiell Hammett at their most hard-boiled’ Scotsman